A small priory was attached to it,
where four monks "seconded" from Norwich
Cathedral Priory looked after the priory's West Norfolk
affairs; traces of it are seen in cottages bordering the
churchyard.
The Norman church survives only in the
internal arches of the west towers and at the base of the
southern one outside. In the 13th century the
rest seems to have been totally rebuilt. Again only the
magnificent chancel arcades survived 15th century
enlargements and alterations by wealthy merchants and
members of the Trinity Guild, whose hall stands opposite
the church, across the Saturday Market Place: a grander
clerestory and unusual round east window, and the great
west window, whose glass of 1928 includes scenes from the
town's history. The northwest tower had to be rebuilt in
1453, apparently subsidence into the soft ground had
caused its predecessor to lean dangerously.
The nave and aisles had to be rebuilt
completely after a gale in 1741 blew down a spire which
formerly crowned the southwest tower. The contemporary
furnishings provided for Brettingham's cautiously Gothic
shell were cleared away by Victorian restorers with the
exception of the superbly carved pulpit and tester.
The Victorian restoration of 1874,
under the direction Sir George Gilbert Scott, cleared out
galleries which had been installed over the aisles and
over the crossing and "opened" the church from
end to end, leaving it much as it appears now. A programme
of installing stained glass in the aisle windows, instead
of the plain glass of the 18th century, brought
colour back to the nave. The windows are not top quality
but are a source of great interest to visitors: a leaflet
to describe them in detail was found to be a necessary
addition to our publications. The crowning touch was the
huge reredos, designed by G F Bodley and erected in 1899.